<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Email Marketing | ArtistPR</title><link>https://hugo.artistpr.com/tag/email-marketing/</link><atom:link href="https://hugo.artistpr.com/tag/email-marketing/index.xml" rel="self" type="application/rss+xml"/><description>Email Marketing</description><generator>HugoBlox Kit (https://hugoblox.com)</generator><language>en-us</language><lastBuildDate>Fri, 30 Jun 2017 00:00:00 +0000</lastBuildDate><image><url>https://hugo.artistpr.com/media/logo_hu_361930c5bf6ff340.png</url><title>Email Marketing</title><link>https://hugo.artistpr.com/tag/email-marketing/</link></image><item><title>5 Reasons Your Email List Matters More Than Your Follower Count</title><link>https://hugo.artistpr.com/music-promotion/music-marketing/5-reasons-why-musicians-need-to-build-an-email-list/</link><pubDate>Fri, 30 Jun 2017 00:00:00 +0000</pubDate><guid>https://hugo.artistpr.com/music-promotion/music-marketing/5-reasons-why-musicians-need-to-build-an-email-list/</guid><description>&lt;p&gt;&lt;strong&gt;Quick answer:&lt;/strong&gt; Musicians need an email list because it&amp;rsquo;s the one audience they actually own - not rented from a platform&amp;rsquo;s algorithm. It keeps you in touch with fans who aren&amp;rsquo;t active on social media, drives real sales when new music or merch drops, lets you share behind-the-scenes moments that build genuine connection, turns fans into word-of-mouth promoters, and gives your press releases and news somewhere direct to land.&lt;/p&gt;
&lt;p&gt;Email marketing doesn&amp;rsquo;t have the shiny new-app feeling that social platforms do, and it&amp;rsquo;s easy to assume it matters less because of that. It doesn&amp;rsquo;t. If you&amp;rsquo;re serious about promoting your own music, an email list is one of the most reliable tools you have - here&amp;rsquo;s why.&lt;/p&gt;
&lt;h2 id="1---you-can-keep-in-touch-with-fans-who-arent-on-social-media"&gt;#1 - You Can Keep in Touch With Fans Who Aren&amp;rsquo;t on Social Media&lt;/h2&gt;
&lt;p&gt;Not every fan is active on the platform you happen to be posting on. Email reaches them anyway, with a personal touch a public feed doesn&amp;rsquo;t offer - and when you&amp;rsquo;ve got a tour coming up, telling your list the dates before you post them publicly makes those subscribers feel like insiders. They usually reward that with faster ticket sales.&lt;/p&gt;
&lt;h2 id="2---you-can-use-it-to-actually-drive-sales"&gt;#2 - You Can Use It to Actually Drive Sales&lt;/h2&gt;
&lt;p&gt;Your die-hard fans will find your new release regardless. Everyone else has a busy life and loses track - email is how you cut through that. Let subscribers know when a new release drops, give them a sneak peek before it&amp;rsquo;s public, and send a direct link the moment it&amp;rsquo;s available. It&amp;rsquo;s an easy win for the fan (a heads-up they wanted) and for you (a sale you&amp;rsquo;d otherwise have missed).&lt;/p&gt;
&lt;h2 id="3---you-can-share-things-your-social-followers-dont-get"&gt;#3 - You Can Share Things Your Social Followers Don&amp;rsquo;t Get&lt;/h2&gt;
&lt;p&gt;Fans subscribe to newsletters partly hoping for the inside scoop - the electronic equivalent of a backstage pass. Rehearsal footage, the real story behind a song, a personal update from a band member: any of it builds a connection that a public post can&amp;rsquo;t quite replicate, because it feels like it was sent specifically to them.&lt;/p&gt;
&lt;h2 id="4---you-can-turn-subscribers-into-word-of-mouth-promoters"&gt;#4 - You Can Turn Subscribers Into Word-of-Mouth Promoters&lt;/h2&gt;
&lt;p&gt;People on your list aren&amp;rsquo;t just an audience - they&amp;rsquo;re potential ambassadors. A shareable discount code, or a link that requires an email address to unlock, gives your existing fans an easy, low-effort way to bring their friends along, expanding your reach without you lifting a finger.&lt;/p&gt;
&lt;h2 id="5---you-have-somewhere-direct-to-send-real-news"&gt;#5 - You Have Somewhere Direct to Send Real News&lt;/h2&gt;
&lt;p&gt;When you&amp;rsquo;ve got genuine news - a new release, a tour, a milestone - a well-written press release lends it weight and urgency, and your email list is exactly where to send it first. See &lt;a href="https://hugo.artistpr.com/music-promotion/music-press-release/music-press-release-tips/"&gt;Music Press Release Tips&lt;/a&gt; for how to actually write one that lands.&lt;/p&gt;
&lt;h2 id="the-bottom-line"&gt;The Bottom Line&lt;/h2&gt;
&lt;p&gt;Email marketing is inexpensive, effective, and it stays yours no matter what any platform decides to change next. If you haven&amp;rsquo;t started a list yet, that&amp;rsquo;s the highest-leverage thing you can do this week - see &lt;a href="https://hugo.artistpr.com/music-promotion/music-marketing/9-steps-to-help-you-build-your-email-list-to-market-your-music/"&gt;9 Steps to Build Your Email List&lt;/a&gt; to get moving.&lt;/p&gt;
&lt;h2 id="frequently-asked-questions"&gt;Frequently Asked Questions&lt;/h2&gt;
&lt;p&gt;&lt;strong&gt;Isn&amp;rsquo;t email marketing outdated compared to social media?&lt;/strong&gt;
No - it&amp;rsquo;s actually one of the highest-converting channels available to independent musicians, with open rates well above typical organic social reach. The difference is you own it: no algorithm decides whether your fans see it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;How is email marketing different from social media for musicians?&lt;/strong&gt;
Social media reach depends on a platform&amp;rsquo;s algorithm choosing to show your post to your own followers, which isn&amp;rsquo;t guaranteed. Email goes directly to an inbox, on your schedule, reaching fans who may not even be active on the social platforms you use.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;What should I actually send to my email list?&lt;/strong&gt;
Tour dates and sale announcements, sneak peeks of new music, behind-the-scenes stories your social followers don&amp;rsquo;t see, and the occasional discount or early-access offer for your most engaged fans. Variety keeps a list engaged; pure sales pitches every time do not.&lt;/p&gt;
&lt;p&gt;Ready to put your list to work? &lt;a href="https://go.artistprpro.com/?p=blog&amp;amp;w=submit-music" target="_blank" rel="noopener"&gt;Submit Your Music&lt;/a&gt; and let&amp;rsquo;s help more fans discover you.&lt;/p&gt;</description></item><item><title>How to Upsell Your Email List: Turn One-Time Buyers Into Repeat Fans</title><link>https://hugo.artistpr.com/music-promotion/music-marketing/using-your-list-to-upsell-to-fans/</link><pubDate>Tue, 30 May 2017 00:00:00 +0000</pubDate><guid>https://hugo.artistpr.com/music-promotion/music-marketing/using-your-list-to-upsell-to-fans/</guid><description>&lt;p&gt;&lt;strong&gt;Quick answer:&lt;/strong&gt; an upsell is simply offering a fan who already bought something from you a related, slightly bigger purchase - a full album after a single, a hat after a T-shirt, a box set after a run of smaller wins. It works because someone who has already trusted you with their money once is a much easier sell the second time. Your email list is where this happens, because it&amp;rsquo;s the one channel you actually own - no algorithm gets a vote on whether your fans see it.&lt;/p&gt;
&lt;p&gt;For a lot of musicians, &amp;ldquo;selling&amp;rdquo; is a four-letter word. You&amp;rsquo;d rather load a van at 3 a.m. than write a sentence that ends in &amp;ldquo;buy now.&amp;rdquo; Totally fair - but unless a label or manager is doing this for you, nobody else is going to ask your fans to open their wallets. The good news: it&amp;rsquo;s a lot less awkward over email than it is on stage between songs, and your list is already full of people who like you enough to have handed over their email address. That&amp;rsquo;s basically a standing ovation. Use it.&lt;/p&gt;
&lt;p&gt;Here&amp;rsquo;s how to upsell that list well, from the small, easy wins to the big-ticket offers.&lt;/p&gt;
&lt;h2 id="what-is-an-upsell"&gt;What Is an Upsell?&lt;/h2&gt;
&lt;p&gt;An upsell is a sale you make after a fan has already made an initial purchase. If a fan buys one of your early CDs, you could upsell them on a later release. If they buy a tee shirt, you could upsell them on a hat or a jacket. Nobody&amp;rsquo;s buying a Learjet here - it&amp;rsquo;s the small, natural next step.&lt;/p&gt;
&lt;p&gt;The psychology is simple: once someone has said &amp;ldquo;yes&amp;rdquo; to buying from you once, they&amp;rsquo;re far more likely to say it again. They&amp;rsquo;ve already decided you&amp;rsquo;re legit and handed over their card details - the second ask is a much smaller leap of faith than the first one was.&lt;/p&gt;
&lt;p&gt;This is exactly why your email list punches above its weight. A fan who already owns your merch is a warmer lead than a stranger scrolling past your music for the first time, and email lets you reach that warm lead directly, on your schedule, without paying a platform for the privilege.&lt;/p&gt;
&lt;h2 id="basic-upselling"&gt;Basic Upselling&lt;/h2&gt;
&lt;p&gt;The most basic upsell is directly related to whatever was just purchased. A fan who buys an EP is an easy sell on your full album, or a DVD of one of your concerts. Choose related items - it should feel like a natural next step, not a random pitch from a stranger at a kiosk.&lt;/p&gt;
&lt;p&gt;
&lt;figure &gt;
&lt;div class="flex justify-center "&gt;
&lt;div class="w-full" &gt;&lt;img src="https://media.artistpr.com/music-promotion/music-marketing/using-your-list-to-upsell-to-fans/image-2.jpg" alt="Array of music tee shirts" loading="lazy" data-zoomable class="w-full h-auto" /&gt;&lt;/div&gt;
&lt;/div&gt;&lt;/figure&gt;
&lt;/p&gt;
&lt;p&gt;The simplest version of this is a short, low-pressure email sent shortly after the purchase. Frame it as a thank-you if a hard sell isn&amp;rsquo;t your style, then tack on a related offer with a clear call to action near the bottom. Keep it short: thank them, remind them why they love your music, give them one obvious next step, and get out before you start apologizing for existing.&lt;/p&gt;
&lt;p&gt;A few basic upsell ideas to keep in your back pocket:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;A fan who buys a single or an EP gets offered your full album at a small discount.&lt;/li&gt;
&lt;li&gt;A fan who buys a T-shirt gets offered a matching hat, pin, or tote bag.&lt;/li&gt;
&lt;li&gt;A fan who buys a digital download gets offered the same release on vinyl or CD.&lt;/li&gt;
&lt;li&gt;A fan who buys merchandise gets offered tickets to an upcoming show in their area.&lt;/li&gt;
&lt;/ol&gt;
&lt;h2 id="upselling-big-ticket-items-with-a-soap-opera-sequence"&gt;Upselling Big-Ticket Items With a Soap Opera Sequence&lt;/h2&gt;
&lt;p&gt;Sometimes you want fans who&amp;rsquo;ve already bought from you to go bigger - a box set, a bundle, a VIP experience. Say you&amp;rsquo;ve put together a box set with every album plus bonus content, like unreleased live recordings or covers of famous songs. That might run over $100 depending on what&amp;rsquo;s inside, which can feel like a big ask to make all at once, out of nowhere, on a Tuesday.&lt;/p&gt;
&lt;p&gt;There&amp;rsquo;s a technique that makes even a big-ticket offer like this feel almost irresistible: the soap opera sequence. Yes, it&amp;rsquo;s named after the TV genre, and yes, it works for the exact same reason - people can&amp;rsquo;t stand an unresolved cliffhanger.&lt;/p&gt;
&lt;p&gt;A soap opera sequence is a series of five emails designed to move the reader emotionally by telling them a story, with each one ending on a hook that pulls the fan into the next. Here are the five parts:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;strong&gt;Set the stage&lt;/strong&gt; - introduce yourself briefly, promise a great story, and drop in a low-key call to action at the end.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;High drama&lt;/strong&gt; - hook them with a key point of your story, with enough tension to keep them reading.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;The epiphany&lt;/strong&gt; - share something you learned while putting the box set together, something that makes it genuinely unique.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;The hidden benefits&lt;/strong&gt; - tell fans why they really need this. Hint at Easter eggs, bonus tracks, anything you haven&amp;rsquo;t shared yet.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;The call to action&lt;/strong&gt; - a direct, unambiguous ask to buy.&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;Every email should end with a call to action, and a PS line teasing tomorrow&amp;rsquo;s email is a cheap, effective way to keep the sequence alive.&lt;/p&gt;
&lt;p&gt;One way to add urgency: let fans know the box set (or whatever the big-ticket item is) is available at a reduced price for a limited time, or that only a limited number exist. Scarcity works because fear of missing out is a deeply human trigger - use it honestly, and only when it&amp;rsquo;s actually true. Fans can smell a fake countdown timer from a mile away.&lt;/p&gt;
&lt;h2 id="tips-for-a-successful-upsell-campaign"&gt;Tips for a Successful Upsell Campaign&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;Segment when you can.&lt;/strong&gt; A fan who already owns your merch shouldn&amp;rsquo;t get the same email as someone who&amp;rsquo;s never bought a thing.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Lead with the fan, not the sale.&lt;/strong&gt; Frame the offer around what they get, not how badly you need the sale.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Don&amp;rsquo;t overdo it.&lt;/strong&gt; Constant pitches train fans to tune you out. Save the bigger asks for after you&amp;rsquo;ve delivered real value - a new release, a personal update, a behind-the-scenes story.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Track what works.&lt;/strong&gt; Watch which subject lines and offers actually convert, then do more of that and less of the stuff that flops.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Self-promotion might never feel natural, but it&amp;rsquo;s part of the job now - and selling by email is a lot less excruciating than doing it face-to-face after a set, sweaty and out of breath, hoping someone still wants a T-shirt. Your list is already full of people who want to hear from you. Upselling is just giving them an easy way to keep supporting you.&lt;/p&gt;
&lt;h2 id="frequently-asked-questions"&gt;Frequently Asked Questions&lt;/h2&gt;
&lt;p&gt;&lt;strong&gt;What is upselling in music marketing?&lt;/strong&gt;
Upselling is offering a fan a second, related purchase after they&amp;rsquo;ve already bought something from you - like offering a full album to someone who just bought a single, or a hat to someone who just bought a T-shirt. It works because a fan who has already trusted you with their money once is far more likely to do it again than a total stranger is to buy from you for the first time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;How soon after a purchase should I send an upsell email?&lt;/strong&gt;
Send it right away, while the fan is still excited about what they just bought - a short, low-pressure email within a day or two of the purchase, framed as a thank-you rather than a hard pitch, tends to convert best.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;What is a soap opera sequence?&lt;/strong&gt;
A soap opera sequence is a series of five emails - set the stage, high drama, the epiphany, the hidden benefits, and the call to action - each ending on a cliffhanger, used to build emotional investment before asking fans to buy a big-ticket item like a box set or bundle.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;How often should I email my fans with upsell offers?&lt;/strong&gt;
Sparingly. Constant sales pitches train fans to stop opening your emails. Save the bigger asks for after you&amp;rsquo;ve delivered real value - a new release, a personal update, or a behind-the-scenes story - so the offer feels earned, not naggy.&lt;/p&gt;
&lt;p&gt;If you want to learn more about how to sell your music and grow your fan base, &lt;a href="http://www.onlinemeetingnow.com/register/?id=hx34okpsar" target="_blank" rel="noopener"&gt;click here&lt;/a&gt; to sign up for our FREE webinar!&lt;/p&gt;</description></item></channel></rss>